I just means that you'd have to swap out cables back and forth on your input. While the example I've given is reamping and recording a mono signal, you could record stereo if you like.
Once you're done recording, don't forget to go back into the Kemper and set your Input to wherever you have your guitar plugged in or you'll spend ten minutes swearing because you can figure out why you can't hear your guitar when you're playing it. I don't use that as my setup is a bit more complex than this example, but either way this should get your recording your reamped signal. You may need to turn on the Monitor button on track 1 (next to the record arm button) to hear it. I'm not sure how the monitoring works on the Arturia, but you should be able to see the waveform being generated on track 1. Your direct signal, in track 2, will be routed to the Kemper Return Input, the output of the Kemper will come back and be recorded on track 1. If you do, make a note of that and then you can always quickly get to a good working level. You may need to adjust the input level going to the Kemper so that it matches the level that it gets from your actual guitar. Rewind your Cubase project to the beginning, arm input 1 for recording, and press record. On your Kemper, press the Input button (top left of the panel if it's a toaster) and set your Input Source to Return Input Reamp. You'll set the output of input 2, your direct signal, to your newly created output that I named Reamp, which will go out of speaker B, Left to your Kemper Return Input.
For reamping, we'll be recording to this track. For playback, the actual amp sound on input 1 would go to your main speakers A stereo out like everything else in your song. You now have two inputs - 1 is your mono amp sound, 2 is your direct sound, which you can record to separate tracks. Plug your cable (TRS -> XLR) into the Kemper Return Input. Assuming speakers A go to your speakers, you could create another mono output and assign it to speaker B, Left. I'm not familiar with the Arturia but looking at their website, you might be able to do something similar if speakers A and B both show up to be selected in Audio Connections. The Yamaha has 8, so I create a third output in the Outputs tab of Audio Connections using output 3, and I cable that to the Kemper Return Input. In my case, I have the normal stereo output in the Audio Connections that map to the outputs 1 and 2. I have a Yamaha TF5 mixer as my audio interface, so I have more inputs and outputs than you as it looks like the Arturia has two inputs and two pairs of speaker outs. Of course, you can do only one or the other if you like. If I want to track both the actual guitar sound and the direct, I create two mono tracks in Cubase, assign track one to the input of Kemper Amp and track two to the input of Kemper Direct.
Input 2 is set for the Kemper direct output. On the Input tab, I have input 1 set to the Kemper output left (I record in mono) and name it Kemper Amp.
RALLE REAMP CLIP METROAMP FORUM MAC
In Cubase, bring up Audio Connections (F4 in Windows, if you're Mac you'll have to translate accordingly). I'm not familiar with the device but I looked at the site and think the recommendations will work for you.įirst, let's get the connections set up. We use different audio interfaces but the concepts are the same, so hopefully this will translate to your Arturia.
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